Viola Frey / Untitled (Parrot Bookends)  / 1972–74
Viola Frey / Untitled (Parrot Bookends)  / 1972–74
Viola Frey / Untitled (Parrot Bookends)  / 1972–74
  • Load image into Gallery viewer, Viola Frey / Untitled (Parrot Bookends)  / 1972–74
  • Load image into Gallery viewer, Viola Frey / Untitled (Parrot Bookends)  / 1972–74
  • Load image into Gallery viewer, Viola Frey / Untitled (Parrot Bookends)  / 1972–74
Viola Frey
Untitled (Parrot Bookends)
1972–74
Regular price
$35,000
Sale price
$35,000
Regular price
 SOLD
Unit price
per 

Ceramic and glazes
11 x 8 1/2 x 7 1/2 in (27.94 x 21.59 x 19.05 cm)

(1933–2004, lived and worked in San Francisco)

Viola Frey (1933–2004) belongs to the same generation of artists as Lynda Benglis and Betty Woodman. Trained as a painter but committed to clay, Frey spent her life pushing the rules of fine art to develop her artistic practice, which ultimately laid the groundwork for her iconic larger-than-life ceramic figures. In her early years, Frey explored clay’s sculptural nature by using unlikely tools such as air-brush painting and press molds to add color and dimension. Included in Winterfest is a series of these early “wares,” which are shaped as or depict animals, a teapot, goblet, and bookends.

Image: 2020 © Artists’ Legacy Foundation / Licensed by ARS, New York